Continuing on a theme, which I first blogged about here on photographing the spaces in-between; I thought I would share with you some pictures from a project I did for my MA. I am copying and pasting the pictures, and the introduction to the book as I wrote it (almost 7 years ago now!), although there is probably much I would change now.
These images are all taken on car journeys, through the windscreen or passenger window, whilst travelling on various motorways up and down the UK. They are very low quality I’m afraid as I can’t find the original disc (they were scanned from transparency film) so I took them from the book proof pdf.
The intimate is not a space but a relationship between spaces.
The space in-between is a space between here and there, between dreams and waking.
It is invisible; a kind of nowhere, somewhere, anywhere… a place which harbours our daydreams.
Through these narrow chinks new possibilities emerge to dazzle the eye like sunlight glimpsing through a cracked wall, and we can dream a different story, or imagine another journey which our fate does not follow for a fleeting, precious instant.
These intimate, indulgent moments in which we (if only temporarily) dwell, offer us shelter, escape, hope, despair, contentment and yearning.
These images chart a period of being a passenger; of frequent journeys I have made, places I have been transported to and daydreams I have had along-the-way.
As the window frame fills with transient scenes I freeze them in an instant, drink them up greedily, and then erase them with one click of the camera shutter. Now they are mine.
Blurred by my eye, they become something other, these non-landscapes of my journeys; not here, not there, not quite anywhere. But they are stored forever in my dreams.
The quote is from Privacy and Publicity: Modern Architecture as Mass Media by Beatriz Colomina
© Emily Hughes and searchingtosee, 2012