De revolutionibus
Posted on February 20, 2014
This wonderful solargraph by Jesus Joglar was 6 months in the making. He charts the journey of the sun, around the earth, around a beautiful, majestic, solid oak tree. And then there is the journey of science – a quest for knowledge. A fascinating read and a wonderful image. Magical, and life affirming.
Last February 15th was the 450 aniversary of the bird of Galileo Galilei (15 February 1564 – 8 January 1642). As everbody knows Galileo was an Italian physicist, mathematician, astronomer and philospher. In other words, he was a Renaissance scientist who played a major role in the scientific revolution. Galileo’s championing of heliocentrism was controversial within his lifetime; he was investigated by the Roman Inquisition, which concluded that heliocentrism was false and contrary to scripture, placing works advocating the Copernican system on the index of banned books and forbidding Galileo from advocating heliocentrism. He was tried by the Holy Office, then found “vehemently suspect of heresy”, was forced to recant, and spent the rest of his life under house arrest. His achievements include improvements to the telescope and consequent astronomical observations and support for Copernicanism.
Nicolaus Copernicus (19 February 1473 – 24 May 1543) was also a Renaissance mathematician and…
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refuge
Posted on February 9, 2014
This one forms a pairing with Flight, which I posted a while back. It’s the wrong time of year to be posting it, really, but with this horrible weather we’ve been having in the UK recently, it pretty much sums up how I feel!
© images and content Emily Hughes, 2014
her mama sang
Posted on February 5, 2014
pebbles from all places
Posted on February 2, 2014
Words on title image by Trevor Moss and Hannah Lou from the song ‘Grand Tales in Tired Covers’, from the album entitled “La Ferme de Fontenaille”.
For more details, to listen, or to order a copy visit http://trevormossandhannahlou.com/
I have recently started up a new little business venture I wanted to tell you about. I suppose the origin of pebbles was the idea of gathering bits of inspiration from here and there, as a reference to how the creative mind works, but then I thought: how about turning it into a space where other people can also sell their work? I thought; the pebbles could be gathered up from far and wide into a keepsake pouch, and tied with a mint green ribbon!
So, though it’s still in its embryonic phases, that is how pebbles from all places was born, and that is what I envisage it will become, eventually. I know that there are websites out there that do this kind of thing, but for me they don’t always seem to have the personal touch, and the artist seems often to be lost, struggling to remain afloat in a turbulent, bewildering sea bearing the weight of Millions of Other Artworks (ok, I promise I’ll stop with the nautical analogy now). I don’t want pebbles to be like that – I want it to be more intimate, more personal. A calming experience.
At the moment it is just me! But I had to start somewhere, and I’m looking forward to hopefully getting other artists/designers on board soon. If you are interested, (whether a photographer, painter, illustrator) or if you know someone who might be contact me at pebblesfromallplaces@gmail.com and I’ll give you more details. I would really love to hear from you.
Thank you for reading thus far, and a big thank you if you get as far as checking out the website. I would also welcome any feedback you have too, either on the idea or the website itself.
Thank you!
Emily
https://twitter.com/pebblesart
www.facebook.com/pebblefromallplaces
My grandfather’s faces
Posted on January 25, 2014
It’s been a while since I posted any pictures from my grandfather’s house. Here are some from last August I have only just gotten around to sorting through. My grandfather is a man who has loved and treasured beautiful things all of his life. He is a collector, and he has been fortunate to have the means to surround himself with beauty. When we are young we try so hard to distance ourselves from our roots; to assert our independence and turn our faces outwards, fiercely, towards the future we want so badly to carve out for ourselves. But as we get older we realise that the past has so much more to teach us, and looking back is not to be dismissed as shameful, or wallowing in nostalgia. After all, how can we really know ourselves without understanding where we come from?
I have always loved things. Trinkets, treasures, knick knacks. When I was small I made collections of marbles and rubbers and dolls – all sorts. I would line them up and categorise them obsessively. I began to understand, as I grew up, that I lived in a family that valued things. I didn’t appreciate that for a long while, but when I began to emerge from the secluded oyster of my world I saw that it was not so in every household, and now I find it is important for me to make my home a place where things are allowed exist, and not obsessively tidied away. I enjoy the gentle chaos of a home life which I grew up with, where there is comfort in the incongruity of mismatched objects, each of which holds meaning for us as a family in some way, and which live happily, haphazardly, side by side.
Many peculiar faces haunt my grandfather’s world. I’m sure he barely notices them now, but when I go there the wonder of a child froths up inside me as if I am seeing these things for the first time. And as time ticks on slowly, inevitably, they seem to want to tell his story more urgently to me.
When I do count the clock that tells the time,
And see the brave day sunk in hideous night:
When I behold the violet past prime,
And sable curls ensilvered o’er with white;
When lofty trees I see barren of leaves,
Which erst from heat did canopy the herd,
And summer’s green all girded up in sheaves
Borne on the bier with white and bristly beard:
Then of thy beauty do I question make
That thou among the wastes of time must go,
Since sweets and beauties do themselves forsake,
And die as fast as they see others grow;
And nothing ‘gainst time’s scythe can make defence
Save breed to brave him when he takes thee hence.
Shakespeare, sonnet number 12
You can find out more about my grandfather’s house in previous posts on my blog here and here, and here.
© images and content Emily Hughes, 2014
Interlude
Posted on January 15, 2014
I’m back! And so is the photograph. Following a brief interlude, it resumes its journey. Read about the Journey of a Photograph Project here…
‘Interlude’
‘The Journey’
The intimate is not a space but a relationship between spaces.
– Beatriz Colomina
I was forced, recently, to take a break from blogging. Not really by choice, but because life burst forth in a relentless tidal wave of busyness (as it does every year at the same time), and something had to give. However, I have been continuing to make pictures, and the past few months has been a process of consolidation and gathering together of things which I have been thinking about and working on for a long time, years even. I have not made any ‘new’ pictures as such; it is the nature of photography that you can be extremely prolific when you are clicking a button (that’s the easy part), yet it’s the editing that take the time; the drawing together the threads of the narrative and the sifting through the rubble to seek out those lustrous gems. It has been more a process of looking back, reflecting, and…
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Lost in the mist of time
Posted on November 3, 2013
Rich, elegant and thoughtful. Another beautiful response to ‘The journey’ project from Kate Rattray of katerattray.wordpress.com
I got the photo today. It was inside an envelope covered in layers of address labels, stamps and scan labels. Layers of history, not ancient but recent history, at least within the last year. A photo too is a record of history, and this particular photo made by Emily is intriguing. Every time I saw it on the blog it seemed to say the same thing, and now I have it in my hands it still says the same thing. Emily writes that she took the photo over 10 years ago whilst on a journey, and many of the writers and artists who have received the photo have interpreted that journey as a train ride. To me too it seems it was taken from a train. It is dark, ambiguous, mysterious. Those circles of light are like lost souls waiting, watching the train passing. Lost souls from the past waiting……
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‘night train to sapa ’
Posted on October 11, 2013
As the photograph travels on it continues evoke immense creative energy from its recipients. Check out Carla Saunders’ bold and lively contribution…
I received Emily’s photograph September 28nd 2013. Having followed her blog, from the beginning, I had often thought what would I do if I were asked to put together a piece for this collaboration.
Emily invited me to participate and I was sent the photograph to interpret from my point of view. My first thought was, I’m looking at a full moon at night viewed from a moving train. The image reminded me of an overnight trip on a local train from Hanoi to Sapa in Northern Vietnam. I lay on a steel plank on the bottom bunk. I shared the compartment with five other people. It was dark. Flashes of light came in through the window. Metal against metal screeched. Strange smells, sights and sounds of humans asleep came at me for what turned out to be a long nightmarish night. I kept my mind occupied by writing a poem…
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Bon voyage, bonne chance
Posted on October 9, 2013
my apologies to Anik for forgetting to reblog this!! The journey continues with a trip to Belgium and a playful and serendipitous response…
Une étape sur une route que je lui souhaite longue, très longue et très riche.
Bon voyage et bonne chance !
Je perfore les couvertures de mes livres d’un trèfle à 4 feuilles. Quand je les prête, ils sont chargés d’un bon voyage, bonne lecture.
Après le moment de réception passé avec son colis magique chargé d’odeurs et de paysages, la photo d’Emily est restée à me questionner. J’ai voulu lui restituer mon paysage bruxellois, mon paysage enfantin
Merci à Emily de m’avoir permis de participer à cette aventure !
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