seed head study

I love shooting macros at this time of year. Autumn is such a rewarding subject, just as nature is settling, cocooning; turning inwards for the long winter ahead. I never tire of photographing seed heads either. Endlessly captivating, they offer forth their generous, basin-like heads, sheltering a bounty of tiny jewels secreted within.  These ones looked still young to me, and they stood out, green and proud amongst a scene of quiet decline around them.

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desert textures (revisited)

deserttextures-colour

I posted these in black and white a while back, and promised to post in colour too, so here they are, slightly re-arranged. I like them collated together as little snippets in this way.

© images and content Emily Hughes and searchingtosee, 2013

Spring candy

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For more Spring candy see here and here

© images and content Emily Hughes and searchingtosee, 2013

Oh, sweet blossom!

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The feathers

He arrived home with two dead pheasants on his back, and thought it would be funny to dangle them in front of my face as I answered the door.
I screamed.
The boy was amused. The girl less so.

He hung them in the garden shed in the dense, bleak night, and after the snow had begun to fall, and a snowmen had been made [two hazelnuts for eyes; a jaunty snow hat, and an elephant for a companion], he began the long, diligent labour of preparing the birds with his strong, adept hands. The snow had created a perfectly crisp white work surface for the task. He plucked the feathers (taking care to put aside the two longest, most elegant), then they were gutted and washed, cleaned, and finally, pink, bald and dimpled, were ready for the pot.

The girl looked on in growing disgust.
“I’m not eating that!” she wailed.

But she kept on watching.

When the day came to cook them she quietly observed him as he worked in the kitchen. Slouching in the door frame.
“Want to cook with dada?”
“Okaaaay” she relented (she never can resist)

Later, I went outside. The air was cold. The sky was dense, bleached white. It felt close, as though I could reach up and touch the clouds, heavy with snow. I found the stray feathers from the birds cocooned in the snow. Left where they had been strewn. They were graceful with strong supple whiskers. They were bold and colourful in rich auburn shades and a fine tiger stripe print. But they were also little wisps of silky-soft fluffy down-like bristles. Almost invisible. As I photographed them the snow started to fall, slowly, and softly, executing perfect pirouettes downwards towards the waiting ground.

They were so fine and delicate. So fleeting.

How can something so fragile and insubstantial be also something so solid and dense, so substantial?

The glistening flakes clung to the waiting feathers and gave them new form. It seemed like a fitting tribute to those birds to capture them there somehow in that moment. In the snowfall. All that remained of the plump weight of those birds; of the blood and the guts and the organs and the flesh, was those feathers.

And soon the snow will melt as the air starts to thaw. The feathers will turn to sludge and join the mud of the earth. Their proud, shiny plumes; soft tufty barbs and fine opaque quills will wilt and fade to nothing, or maybe be carried away to nowhere, on the gust of the next windy day.

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But there is still something.
There are still two.
One for a boy, one for a girl.
Strong and tall and vibrant.
Remnants.
The life, from the earth, which fed us.
A simple, hearty supper shared amongst friends.
And then, to the earth it returned.

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[And the girl?
Well, she ate, and enjoyed her meal.]

© images and content Emily Hughes and searchingtosee, 2013

Flower Friday

Something a bit abstract for today.

Happy weekend everyone!

Emilyx

© images and content Emily Hughes and searchingtosee, 2012