seeking paradise

30250004

seeking paradise, 2018

 

Layered composite image, photographed with a rolleiflex TLR on Ilford pan 50.

© Emily Hughes

twenty two

twenty two - 2twenty two

© images and words by Emily Hughes, 2016

bloom

 

bloom2

 

 

© image by Emily Hughes, 2015

oh, she dreams in gold

she dreams in gold - I

oh, she dreams in gold, 2015

 

I’m working on a little series of golden, composite images on the theme of reverie, and I’ve just added this one to my artfinder shop. I’ve posted this one before here, but needed to make a few tweaks before I was entirely happy with it.

 

© images and words by Emily Hughes, 2015

black and white

black and white 1 (1 of 1) black and white 2 (1 of 1)

 

I’m trying to work on a new black and white image, so I’ve been playing around with a few ideas.

 

© images and words by Emily Hughes, 2015

winter’s reverie

winter landscape1

I

winter landscape2

II

© words and images Emily Hughes, 2015

surf

A one-off commission I created for a special surf-loving couple of the Welsh coastline near Bridgend. I overlaid textures from the rocks and cliffs nearby to give a feel of the local landscape.

surf

 

© images and words Emily Hughes, 2015

 

 

beach days #6

beach days - Cancun

beach days #6

 

This one was tricky to perfect, and I almost gave up on it altogether. Alex didn’t like the hibiscus, but I thought it worked, so I went with it anyhow. It’s actually been the most popular of the whole series, I would say, so I’m glad I stuck to my instincts. It is set in Cancun, Mexico.

 

© images and content Emily Hughes, 2014

little fishing boat

little fishing boat

 

This image was inspired by a recent trip to the lovely harbour of Lyme Regis. I pegged the boat shot, and when I got it I visualised immediately how I wanted it to turn out, so I was excited to get home and work on it. I’m really pleased with the result. A few people have asked me how I achieve the layering effect. I may try to write another post explaining in more detail when I have more time, but in essence I use Photoshop to layer up the images and then I work on each layer, effectively ‘painting’ parts in and out of the image to achieve the effect I want. It takes a bit of practice to get the hang of it, but I find it a very rewarding and creative process. You also have to make sure you start off with a really strong image which is well composed. This way it will carry the layers much more successfully.

 

© images and content Emily Hughes, 2014

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