The fairy in whose presence we are granted a wish is there for each of us. But few of us know how to remember the wish we have made; and so, few of us recognise its fulfilment later in our lives. I know the wish of mine that was fulfilled, and I will not say that it was any more clever than the wishes children make in fairy tales. It took shape in me with the approach of a lamp, which, early on a winter morning, at half past six, would cast the shadow of my nursemaid on the covers of my bed. In the stove a fire was lighted. Soon the flame — as though shut up in a drawer that was much too small, where it barely had room to move because of the coal — was peeping out at me. Smaller even than I was, it nevertheless was something mighty that began to establish itself there, at my very elbow — something to which the maid had to stoop down even lower than to me. When it was ready she would put an apple in the little oven to bake. Before long, the grating of the burner door was outlined in a red flickering on the floor. And it seemed, to my weariness, that this image was enough for one day. It was always so at this hour; only the voice of my nursemaid disturbed the solemnity with which the winter morning used to give me up into the keeping of the things in my room. The shutters were not yet open as I slid aside the bolt of the oven door for the first time, to examine the apple cooking inside. Sometimes, its aroma would scarcely have changed. And then I would wait patiently until I thought I could detect the fine bubbly fragrance that came from a deeper and more secretive cell of the winter’s day than even the fragrance of the fir tree on Christmas Eve. There lay the apple, the dark, warm fruit that — familiar and yet transformed, like a good friend back from a journey — now awaited me. It was the journey through the dark land of the oven’s heat, from which it had extracted the aromas of all the things the day held in store for me. So it was not surprising that, whenever I warmed my hands on its shining cheeks, I would always hesitate to bite in. I sensed that the fugitive knowledge conveyed in its smell could all to easily escape me on the way to my tongue. That knowledge which sometimes was so heartening that it stayed to comfort me on my trek to school. Of course, no sooner had I arrived than, at the touch of my bench, all the weariness that at first seemed dispelled returned with a vengeance. And with it this wish: to be able to sleep my fill. I must have made that wish a thousand times, and later it actually came true. But is was a long time before I recognised its fulfilment in the fact that all my cherished hopes for a position and proper livelihood had been in vain.
‘A Winter Morning’ — extract from Berlin Childhood around 1900, by Walter Benjamin
I love photographing seed heads. It’s a mild obsession of mine. They are a popular subject these days, it seems, appearing on everything from kitchenware to lino prints. I’m a big fan of Angie Lewin’s lino cuts especially. I think it is a bold simplicty in their structural form, and an unassuming elegance which makes them so enticing and lends itself so well to so many different media. I have always felt like they are beseeching in some way; offering up their fragile form to the wide open sky. To me, they have become a symbol of the infinite, innocent generosity of nature’s gentle rhythm.
Usually, I would reach for the macro lens and get in close (as I did here, here, here, and here again!), but I decided to try out my rollei with some black and white medium format shots for a different perspective, still keeping the aperture as wide as I could. Unfortunately I had a bit of a light leaking incident, which is why the last image has a flecked, slightly grainy appearance (the film was fine grain), but I decided not to correct this. I quite like the otherworldly effect. It’s a bit like a meteor shower, or some other celestial phenomenon. As if their willowy limbs are tentatively reaching out to greet a scatter of star dust.