Posted on June 26, 2015
I love photographing seed heads. It’s a mild obsession of mine. They are a popular subject these days, it seems, appearing on everything from kitchenware to lino prints. I’m a big fan of Angie Lewin’s lino cuts especially. I think it is a bold simplicty in their structural form, and an unassuming elegance which makes them so enticing and lends itself so well to so many different media. I have always felt like they are beseeching in some way; offering up their fragile form to the wide open sky. To me, they have become a symbol of the infinite, innocent generosity of nature’s gentle rhythm.
Usually, I would reach for the macro lens and get in close (as I did here, here, here, and here again!), but I decided to try out my rollei with some black and white medium format shots for a different perspective, still keeping the aperture as wide as I could. Unfortunately I had a bit of a light leaking incident, which is why the last image has a flecked, slightly grainy appearance (the film was fine grain), but I decided not to correct this. I quite like the otherworldly effect. It’s a bit like a meteor shower, or some other celestial phenomenon. As if their willowy limbs are tentatively reaching out to greet a scatter of star dust.
© images and words by Emily Hughes, 2015
Category: in defense of daydreaming, scrapbook Tagged: 120 film, analogue, angie lewin, black and white, light leaks, macro, medium format, nature, photography, Rolleiflex, seed heads, star dust
Posted on June 15, 2015
‘The journey of the photograph had, at some point, become a travelling album of its adventures’ – love this idea! Thanks to photographic artist Alex Bishop-Thorpe from all the way over in Australia for his contribution to the journey, and his musings on the subject of the photograph as material object. Enjoy! Emilyx
I learned of the Journey of a Photograph Project from my friend Nicole, who I met while we were both kicking around as Artists in Residence at The Banff Centre earlier this year (Hi Nicole!). In the rest of my real life I’m a photographic artist from Australia, and my work deals with a lot of that weirdness that comes along with the photograph being a physical thing you can hold, and how bizarre it is that we have spent so many generations creating and destroying little worlds in our hands that we just think of it as normal. It’s kind of like how absurd dreaming is.
In 2012 I co-founded a darkroom and photographic facility with fellow artist Aurelia Carbone, which has since provided all kinds of excuses to explore this subject in parallel with my arts practice. The work I make is mostly analogue in nature because I…
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Posted on June 1, 2015
First off, I’m sorry for the misleading title (it is about daisy chains, but there is no set of instructions I’m afraid). And whilst I’m at it, I would also like to apologise to regular readers especially for the overload of family pictures recently. I hope it’s not all too saccharine for your tastes (but you know I can do acerbic just as well as I can do sweet, I think). It has just struck me with some force, this spring holiday, how they are at such a magical age; on the cusp of knowing, discovering the world – their world – through their own eyes as they are. So many questions and misunderstandings tumbling from their tongues. At once categorically assertive and desperately unsure. I’m painfully aware also, as they bow their heads and giggle about private jokes and shared experiences which are theirs and theirs only, how much I am no longer a part of that; how every troubled thought, or stubbed toe nail no longer requires a kiss and a cuddle and soothing words as they learn to regulate their own emotions. Don’t get me wrong; I’m also glad for this. Very glad, that they are learning to forge the paths of their own world and navigate through thorny issues like fears and friendships. But along with that comes a distance. A gap. Only small just now, and still easily overcome when troubles spill over into tears and I am needed. But it is there in the closed bedroom doors and the occasional quiet withdrawal of hands from mine. In the silences to my many questions about their day. And then there are the rolled eyes, the But mummy, you wouldn’t understand, and Don’t take that tone/attitude with me! altercations which are now part of our daily patter.
But still they want the hugs, and sometimes stories at bedtime. Still they want to laugh and dance, and share silly jokes with us at dinner time, even though I’m embarrassing in front of their friends. So those precious in-between moments – the ones without the sulks and the temper tantrums and the arguments and when I’m not so tired I don’t have the energy (and then I kick myself for missing them) – I just need to reach out and snatch them, every so often, and hold them close by to my heart. I guess the camera is just the way I know how to do that.
So, last week, we were enjoying the beautiful spring weather at their great-grandfather’s house in London. His unkempt garden had a rich crop of fine looking daisys, so my seven year old asked me to help her make a daisy chain, since she didn’t know how. I thought, Oh my goodness I can’t believe you don’t know how? It seems like something every seven year old girl should *just* know how to do. And then I realised, how would she know if no-one showed her? So I did. And we had fun picking the strongest, tallest specimens. I took pictures, and then after a while on her request I put the camera away, and we carried on until the sun got too warm and we went off to find some shade.
There may be some kind of tenuous connection in all of that, between daisy chains, life, family and instructions, or lack of. But it’s a bit hazy. And I’ve never really been one for tying up the lose threads into a perfect bow. I’m happy to leave some questions unanswered, and accept that sometimes problems cannot be neatly solved, like algebra. Life is a bit like hair, really (those of you who are female and/or have daughters will appreciate this) – no matter how hard you try to create the perfect style and tie it up all neatly, after a while some tendrils will always work their way lose. And really, in the end, it doesn’t matter at all.
Edited to say: I intended to post this over a month ago, just after the Easter holidays, and somehow it never made it past ‘draft’ version. So apologies for the delay! I’m so jealous of that sunshine now as I type with my thick fleecy socks on, and a hot water bottle in my lap!
© images and words by Emily Hughes, 2015
Category: creative writing, scrapbook Tagged: black and white, children, creative writing, daisy chain, family, Flowers, garden, girls, photography, Spring
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